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For the reason that daybreak of the shifting image in the late 1800s, filmmakers have been experimenting with methods to make movies more exciting. Movie pioneer Georges Méliès used all types of digicam trickery to create short films like his 1898 "Un Homme de Tête," where the character performed by Méliès repeatedly eliminated his head and put every head on a table, or his 1902 "Le Voyage Dans la Lune" the place he sent men to the pie-confronted moon on a rocket shaped like a bullet. Some artists turned to animation to create fanciful tales and situations on movie. Absolutely animated cartoons have been round since 1908, when caricature artist Émile Cohl drew and filmed a whole bunch of straightforward hand drawings to make the short film "Fantasmagorie." Others followed suit, including Winsor McCay with "Gertie the Dinosaur" in 1914, which involved hundreds of frames and was longer and more easy and sensible than most cartoons of the day.
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